Jenni Munday in conversation with Julia Pascal, playwright and scholar. Julia reveals insights into the background and writing of her play " Happy as God in France", and reads an excerpt from it. Julia also discusses her play "The Honey Pot" .
More about " Happy as God in France"
Length FULL LENGTH
Hannah Arendt at 33
Charlotte Salomon at 25
Eva Daube at 16
Agathe Blumenfeld at 50
Trude Gottlieb at 22
Other roles are taken by the ensemble.
As Happy As God in France.
The title references the joyful Yiddish invented by Jews in appreciation of their new status as equal citizens in post-Revolutionary France. Its use here is ironic as the play explores French antisemitism In May 1940, German Jewish exiles, seeking refuge in France were ordered to report as 'Undesirables'. Of those 8,000 women were deported to the largest of the many camps near the Spanish border. This drama focuses on the largest of these, Gurs, whose history is hardly known.
This text investigates the false dream of safety in France through the lens of three German Jewish women: thirty-four-year-old, political writer, Hannah Arendt; sixteen-year-old schoolgirl Eva Daube and twenty-four-year-old painter, Charlotte Salomon. They were incarcerated during in the chaotic days between armistice and occupation. The action of this play focuses on a decision of whether to stay, and hope for liberation, or escape in to a dangerous landscape.
As Happy As God in France explores major events of the twentieth century as experienced by these women. Themes include the French betrayal of Revolutionary values, the abandonment of the Jews, sex, love, art, politics, resistance, survival, suicide and escape. It is the first play about Arendt, Salomon and Daube in Gurs.
Hannah Arendt was in Gurs in 1940 for eight weeks. Charlotte Salomon is believed to have been incarcerated there before she was murdered in Auschwitz. Eva Daube was in Gurs. Agathe Blumenfeld and Trude Gottlieb are created from research in this hidden history.
The play was completed in 2020 and has had no productions.
To contact Julia about this play go to her website and use the contact form.
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